
Where are you from? I've lived all over Australasia. My whanau are based in the Waikato. Even though I moved to Auckland to study, Wellington has been home for more than a decade now. It remains one of my favourite places on earth.
Can you tell us about the inspiration behind the art work you chose? What can I say? Girls grow into woman but boys, on a certain level anyway, always remain boys. I love old toys and most of the tin miniatures that feature in the series The Adventures Of Rocket Racer are from my childhood. The body of work was also inspired by the art of American photographer David Levinthal, a long-time influence.
It’s been therapeutic as an artist to move away from the more serious day to day grind of journalism/documentary style work to the dream-like escapism of staged tableau. The exploration of surrogate realities through regression to a period of childhood innocence has real refuelled my creative spirit. To abbreviate all the art-wank, it was a lot of fun…
What is your favourite thing someone has said about your
canvas? At the exhibition opening a client said the works held a certain cinematic quality to them, especially the way they were lit, which was what I was going for in a 50’s b-grade kinda way. It’s gratifying when critics get where you were trying to go without having to give them directions or a road-map.
What are you planning for your next canvas? That’s a tough call. In the not too distant future I'm looking at a collaborative body of work with fellow Wellington based artists where I'll be working in a more curatorial role.
My next solo show, which probably won’t be until later next year, looks at the resurgence of the art of Burlesque in Aotearoa. So keep an eye out for images of beautiful performance art…


